Hollywood Bollywood News & Gossips

By Joginder Tuteja, May 16, 2006 - 14:47 IST

Remember a decent comedy called 'Nayee Padosan' that came a few years back? The film was not a big success at the box office but has been enjoying satellite reruns since then. BH Tharun Kumar, director of that feel-good comic love story, is back with yet another film belonging to the same genre – 'Love Ke Chakkar Mein'. Just like 'Nayee Padosan', LKCM too boasts of a debutant pairing [Akshat Bhatia, Namita] with Rishi Kapoor as the biggest star in the film. Shoma Anand and Satish Shah form the supporting starcast while Anand Raj Anand composes for the majority of numbers with Daboo Malik and Nikhil Vinay contributing up with a song apiece. Praveen Bhardwaj and Dev Kohli share credits as the lyricists.

When an album begins with a song like 'Fat Fat Fatafat Pyaar Ho Gaya', you know that neither the music nor the film have to be taken seriously. Sunidhi Chauhan starts crooning the number with Sonu Nigam joining her in this fun number that "strangely" reminds of the numerous such love songs picturized on the pair of Rishi Kapoor and Neetu Singh. Why "strangely"? Because Rishi Kapoor himself plays an integral part of the film! This Anand Raj Anand-Dev Kohli song may not be anything great to write home about but has that irritatingly catchy tune to it that makes you suddenly hum it to yourself after you have heard it a few times!

Nikhil Vinay get an opportunity to compose the title song of the film 'Love Ke Chakkar Mein' that begins on a racy note similar to the style of late 70s/early 80s. The way Farhad Bhiwaniwala goes about singing the number, you know that the song has been set in an era of feel-good light hearted films by Basu Chatterjee / Hrishikesh Mukherjee. Farhad is spirited in his rendition of this supposedly background situational piece that moves at a consistent pace with fast beats and the works and should keep the film's momentum going. If one hears closely, there are also shades of Jatin Lalit style of music in the number. This Praveen Bhardwaj written song may be forgotten after the film's run but at least manages to hold your attention while it is on.

After ARA and Nikhil Vinay, it’s the turn of Daboo Malik to make his presence felt with 'Hum They Aasmaan Pe'. Yet another old fashioned number with an easy tune, simple lyrics by Praveen Bhardwaj and a basic style of rendition by Shaan, the song just comes and goes by neither making a thumping impact nor sounding like a true disaster, as it continues in the same vein as the rest of the album.

Sunidhi Chauhan gets into a seductive mood with 'Ek Kamre Mein Hum Tum' that is written by Dev Kohli and composed by ARA. Yet another passable number [hats off to the album's consistency as far as being average is concerned!], it is, as title suggests, a song about a couple locked in a room with the girl having an 'upper hand' when it comes to taking 'initiative'. Plain average!

It comes as a relief to see Alka Yagnik's name on the credits and one gets some hopes that at least there would be one above average/memorable track in the entire album. 'Suno Na' is the song in question that turns out to be a decent melody and would be liked by those who have grabbed Anand-Milind's music when it was at its peak. What's good about this song [and rest of the numbers preceding it] that they come easy to ears with no 'shor-sharaaba,' of any sorts! If one hears the song with an unbiased approach and closes eyes to traverse to the world of music as it was a decade or so back, 'Suno Na' composed by Daboo Malik and written by Praveen Bhardwaj is not really a bad composition after all.

ARA brings the album to a close with 'Sach Hai Sanam' that is yet another song written by Praveen Bhardwaj. As the song brings the album to an end, you are sure that either the album was composed 10-15 years back or the composers have taken an extra effort to recreate the nostalgia of a decade or two back! This romantic number by Sadhna Sargam and Shaan too follows the same path and comes across as an average listenable track, though chances are near to minimal that the track would be heard for weeks to come.

As apparent while listening to the numbers, LKCM is an average score that would neither be loved nor hated. There is not a single song that has a chartbuster appeal nor is there anything that makes you look away in disgust. Now it's all on the movie [that has already been long delayed] to create its presence when it releases in a few days from now.

Source By indiafm.com

By IndiaFM News Bureau, May 22, 2006 - 03:44 IST

The international brand ‘Police,’ known for its range of sunglasses has signed up Neha Dhupia to endorse its range of watches and steel jewellery. Neha will be the ambassador for the brand in India. This is the first time that Neha will be an ambassador for a brand.

The ad campaign is shot by lensman Ashok Salian. During the shoot at his Mahim studio, Neha was very relaxed despite the summer heat and seemed to enjoy shooting with Salian and squash player Ritwik Bhattacharya, who happens to be the male face of the brand in India.

The campaign is said to be having an international look and like its international ads, it will also have red as the dominant color. Neha says that Salian is a very talented photographer and is therefore looking forward at the campaign.

By IndiaFM News Bureau, May 22, 2006 - 01:17 IST

Looks like the combo star power of Aamir Khan and Kajol is doing its magic even before the release of Fanaa. Looking at their onscreen chemistry and hype about the film, some of the foreign promoters have signed the two up to do a series of stage shows in the US. The shows which begin in October will go on for a month.

It is said that the two have been paid big bucks to be a part of the concerts. Something which apparently made Aamir Khan change his decision which initially was no. Incidentally, even Ajay Devgan will be going for the concert but as a chief guest. He won’t be performing on stage. Kajol is also planning to take her daughter along for the tour. So the whole concert will be more like an outing for the Devgans.

By IndiaFM News Bureau, May 22, 2006 - 03:33 IST

Rakhi Sawant is someone, who somehow or the other, always finds herself in the middle of a controversy. And this time its more than one thing that has landed her in trouble. The item girl is currently performing in different parts of Maharashtra. While performing in Kolhapur on May 18, a case was registered against her for obscene costumes and gestures. She was performing in the capacity of the ambassador of a popular beer brand.

Justifying her stand, Rakhi said that she had no problems with being an item girl. In fact, the costume that she wore was provided by the show's organisers.

That's not all. She is also in trouble for performing on two T-Series numbers, Dus and Zinda Hoon Main at Vashi on May 16. Although she has a contract with T-Series, she did not take their prior permission to perform on the above songs. So the music label has sent her a legal notice and is suing her for Rs.1 crore.

According to her contract with the company, she is not allowed to perform on any T-Series song, without the consent of the company. However, her manager denied any such charges.

By IndiaFM News Bureau, May 22, 2006 - 03:31 IST

Madhur Bhandarkar’s Corporate is one of the most awaited films of the years. Apart from having a novel theme it also boasts of a star cast comprising of Bipasha Basu, Kay Kay Menon, Samir Dattani, Minnisha Lamba, Raj Babbar and Bharat Dhabolkar. Not many know but another name in the list includes film-maker Ashok Pandit who had last directed Sheen. Pandit plays the role of a journalist who interviews Manoj Joshi – a film director on the sets of his film. “It is a hilarious comic scene”, says the cheerful director.

But that is not all. Pandit’s son Raj has been roped in to enact a role in Bhandakar’s new film Signal. “He plays the son of the owner of an Irani restaurant and it is a very important role in the film.” On questioning him further he said, “You won’t believe it but he bagged the role by imitating Madhur on his face. He acted exactly like him – his speech and body language. Madhur was impressed and signed him up.”

Now that’s a new talent to look out for. Wishing the father-son duo success in both their individual films!

By IndiaFM News Bureau, May 15, 2006 - 02:28 IST

OK, one of Europe’s most popular magazines will soon be launching its Indian version. And seen on the cover of its first edition will be none other than Shilpa Shetty. While Vikram Bawa will be photographing Shilpa, the clothes will be done by Rocky S. The photographs promise to be very different from what Shilpa has done, earlier. She will be posing more as a model, than as an actress.

A variety of different locations were zeroed in on. The indoor shoot has Shilpa posing on a couch, floor and even in a bathtub. Outdoors, they shot in a park and by a poolside. Another one of the photographs has her wearing a fiery red dress and posing on a luggage trolley. Seeing Shilpa’s past photographs, we’re sure this magazine edition will be nothing short of a collector’s item!

By MIO Team
May 10, 2006, 09:19

Called ‘King of Pakistani Pop’, Shehzad Roy was in India from April 25 to 27 to promote his latest album Salli. With his boyish good looks and his deep commitment to a cause, Shehzad Roy is one of the most exciting people on the Pakistan entertainment scene.

Hailing from Karachi, Pakistan, Shehzad became a star with his boisterous and revolutionary approach to Pakistani Pop with the smash-hit Pakistani single, ‘Nazrein jo milti...’ that became an instant chart-topper.His first album Zindagi (1995), featuring the hit singles ‘Dholna...’ and ‘Bewafa...’ sold more than 600,000 copies.

Shehzad’s ability to compose the most melodious romantic pop in the local music arena grew even stronger as he proved with his successive albums, Darshan (1997) and Teri Soorat (1999). Both these albums performed impressively well in Pakistan and abroad.In his 2002 offering Rab Janey he continued his effort to convey meaningful messages through his light-hearted yet earthy tunes, the very first track featuring a duet with India’s Sukhbir Singh called ‘Jinna kar logay pyar...’.

Shehzad grew up listening to classical performers like Abida Parveen and Reshma. The traditional heritage and folk influence are the most prominent features of his work. Be it Ustad Salamat Ali’s flute rendering in Bewafai, the contemporary qawwali flavour of Darshan or the very latest, traditional Siraiki folk-inspired ‘Jan gayo...’ from Rab Janey, Shehzad’s work strongly advocates his inclination towards Eastern symphonies. Yet, he identifies the ‘guitar’ as the love of his life and as the major driving force behind his coming into this profession.

Commenting on his music, the musician with a knack for experimentation asserts, “We grow from experience. My music is always changing and in constant evolution. My first album is completely different from my last album. I just follow my own taste in music.” And as experience has taught all of us, his fans are sure to follow.

In the first-ever IM Video Awards held in Karachi, Shehzad Roy won the award for the Best Performance by an Artist in a Video for the song `Salli...’ while Ali Azmat and Ali Zafar were also in the nomination list. He also won the Viewers’ Choice Award for the highly contested Best Male Singer category beating heavyweights Ali Azmat (Junoon), Ali Zafar, Najam Shiraz and Fakhir.

“In my opinion the authenticity of the message (in a song) is as consequential as anything else in producing meaningful music,” says Shehzad.

In addition to being a prodigy with his voice, Shehzad has been dedicated to Zindagi Trust, the NGO born out of his passion for helping impoverished and uneducated children. He says, “I feel so sad when I see a child working on the streets instead of going to school. The Trust is my best effort to do something about that.”

Recently, Shehzad was awarded the prestigious Tamgha-i-Imtiaz, and he is the youngest person and the only pop singer to be honoured by this prestigious presidential recognition of efforts to help the impoverished in Pakistani society.

Shehzad’s music videos always carry a streak of distinction and reflect his flair for visual inventiveness. They usually have a very exotic feel to them, as Shehzad is very particular about the storyline and the scenic locations.

Ameesha talks about boyfriend Vikram Bhatt

RAM KAMAL MUKHERJEE

MUMBAI MIRROR

Everyone wants to know whether working with boyfriend Vikram Bhatt as her director helps Ameesha Patel to give a better performance. “No, it doesn’t,” replies Ameesha. “I don’t mix my personal life with professional relationships. Vikram is a very dear friend of mine, but when we work together on the sets, we are just professionals. I respect him as a director and he treats me like any other actor on the sets. Besides, I give my best to all my films, not just to a film where the director is my friend.”

Ameesha talks about boyfriend Vikram Bhatt
RAM KAMAL MUKHERJEE

MUMBAI MIRROR

Everyone wants to know whether working with boyfriend Vikram Bhatt as her director helps Ameesha Patel to give a better performance. “No, it doesn’t,” replies Ameesha. “I don’t mix my personal life with professional relationships. Vikram is a very dear friend of mine, but when we work together on the sets, we are just professionals. I respect him as a director and he treats me like any other actor on the sets. Besides, I give my best to all my films, not just to a film where the director is my friend.”

Ameesha talks about boyfriend Vikram Bhatt
RAM KAMAL MUKHERJEE

MUMBAI MIRROR

Everyone wants to know whether working with boyfriend Vikram Bhatt as her director helps Ameesha Patel to give a better performance. “No, it doesn’t,” replies Ameesha. “I don’t mix my personal life with professional relationships. Vikram is a very dear friend of mine, but when we work together on the sets, we are just professionals. I respect him as a director and he treats me like any other actor on the sets. Besides, I give my best to all my films, not just to a film where the director is my friend.”

Pradeep Sarkar plans his next with Saif and Vidya Balan

By IndiaFM News Bureau, May 8, 2006 - 04:34 IST

After the success of his directorial debut Parineeta with Vidhu Vinod Chopra, Pradeep Sarkar has teamed up with Chopra

again for his second film. However this time it’s not Vidhu Vinod Chopra but Aditya Chopra. The film which is untitled yet is an

emotional love story but definitely not a novel adaptation like Sarkar’s first film. Pradeep says that he is still working on the

script with Aditya Chopra, exploring new possibilities.

Talking about the cast, Pradeep Sarkar says that he will repeat the romantic lead of his first film here. So Saif Ali Khan and

Vidya Balan are in. Also he wanted Rani Mukherjee for a major role and the actress has agreed to do the movie.

It’s all about loving her parents for Shabana Azmi

By IndiaFM News Bureau, May 8, 2006 - 04:35 IST

Shabana Azmi is all set to give a tribute to her parents in her own special way. Shabana along with her husband Javed Akthar

will stage Kaifi Aur Main, a theatre presentation based on the writings of her father Kaifi Azmi. It is being directed by Ramesh

Talwar and will be staged at the 65th IPTA festival at Prithvi Theatre.

In addition to this, Shabana is also to play the role of Khanum Jaan in JP Dutta’s Umrao Jaan. The part was originally played

by her mother Shaukat Kaifi in the earlier Umrao Jaan staring Rekha. Shabana honestly confesses that she is nervous about

it, besides some of her mother’s admirers are appreciating her “courage” for accepting the role rather than boosting her morale,

something which is scaring her even more.

Salman goes back to court

By IndiaFM News Bureau, May 8, 2006 - 04:52 IST

Bad boy Salman Khan has again taken a drive to court, but this time the situation is the other way round. Salman is the

complainant and has filed a case against the directors of Cinevistas Ltd. The matter is that, Cinevista had signed up Salman

for their film Garv - Pride and Honour which released two years ago. Salman though, is still not paid the amount of Rs. 26.42

lakhs by the production house and all the prior checks given to him were dishonored by the bank as the payment was been

blocked by the drawer.

Salman had served a legal notice to Cinevista and its directors under section 138 of Negotiable Instruments Act on August 6th

last year. The matter finally came up for hearing on Thursday before a city magistrate.

By IndiaFM News Bureau, May 6, 2006 - 02:48 IST

Actress Meera Vasudevan of Rules: Pyaar Ka Superhit Formula fame finds herself in a bit of a spot. The producer of her latest

film Jaadu Sa Chal Gaya, Yogesh B Verma has sent her a legal notice and wants to claim damages amounting to Rs.1 crore.

The film stars Rakesh Bapat, Sudhanshu Pandey and Meera Vasudevan and is scheduled for release on May 26.

According to the producer, Meera was extremely unprofessional. She has not completed the dubbing of the film and was also

not available for the promotions. The producer had requested her to be present at the promotional functions but she just didn't

turn up. In fact, she kept the media waiting. Verma was shocked by her behavior since she is not even an established star.

The film's release date was postponed and the producer had to bear losses worth Rs.1 crore. So he has decided to claim

damages. He has also complained about her to the United Film Producers Association. The association will look into the

matter.

By Taran Adarsh, May 5, 2006

Darna Zaroori Hai - Week 1

Mumbai - 1,19,11,525 (Incl. Thane)

Ahmedabad - 25,71,273

Rajkot - 2,05,925

Jamnagar - 50,833

Pune - 37,99,650

Nasik - 2,47,891 (49 sh.)

Delhi - 52,46,617

Noida - 8,49,391

Kaushambi - 1,55,103

Gurgaon - 8,86,492

Ghaziabad - 7,64,596

Kanpur - 4,38,090 (6 dy.)

Lucknow - 5,43,894

Agra - 1,70,000

Allahabad - 55,233

Meerut - 1,64,021

Moradabad - 34,000

Aligarh - 1,11,137 (14 sh.)

Faridabad - 3,76,064

Akola - 84,057

Raipur - 1,44,000

Jalgaon - 66,591

Ujjain - 35,000

Sehore - 68,765

Bangalore - 7,52,160 (35 sh.)

Chennai - 13,01,884

(Average per print:2,28,193)

Gangster - Week 1

Mumbai - 1,07,65,904

Ahmedabad - 28,94,112

Rajkot - 4,84,350

Jamnagar - 77,661

Pune - 3,80,070

Nasik - 2,10,076 (35 sh.)

Delhi - 73,84,575

Noida - 10,59,164

Kaushambi - 2,20,722

Gurgaon - 9,63,707

Ghaziabad - 13,66,531

Kanpur - 6,97,808 (6 dy.)

Lucknow - 15,48,179

Agra - 1,80,000

Allahabad - 1,70,604

Meerut - 2,28,445

Bareilly - 82,708

Moradabad - 95,000

Aligarh - 2,44,230 (14 sh.)

Faridabad - 6,58,014

Akola - 83,790

Raipur - 1,54,839

Jalgaon - 1,18,516

Wardha - 80,657

Bhopal - 79,000

Ujjain - 45,000

Bangalore - 5,68,061

Chennai - 5,81,148

(Average per print:2,73,242)

The Mistress of Spices - Week 1

Mumbai - 57,480 (22 sh.)

Ahmedabad - 90,848 (7 sh.)

Delhi - 6,61,964

Noida - 1,77,375 (35 sh.)

Kaushambi - 22,797 (14 sh.)

Gurgaon - 2,12,004 (35 sh.)

Ghaziabad - 39,890

Lucknow - 53,096

Faridabad - 20,330 (21 sh.)

Bangalore - 3,89,354 (49 sh.)

(Average per print:)

Pyare Mohan - Week 2

Mumbai - 43,78,471

Ahmedabad - 21,47,693

Rajkot - 1,65,943 (14 sh.)

Jamnagar - 2,27,380

Nasik - 1,51,777

Delhi - 19,92,353

Noida - 3,18,505

Kaushambi - 81,176

Gurgaon - 2,81,413

Ghaziabad - 4,93,750

Kanpur - 2,76,089 (6 sh.)

Lucknow - 4,02,282

Agra - 2,05,320

Allahabad - 61,846

Meerut - 2,00,656

Moradabad - 52,000 (1st)

Aligarh - 23,000 (1st)

Mathura - 45,000 (1st)

Faridabad - 1,12,644 (21 sh.)

Akola - 83,443

Raipur - 1,06,104

Jalgaon - 62,557

Ujjain - 29,400

Bangalore - 2,62,191 (21 sh.)

Chennai - 3,63,764

(Average per print:1,33,242)

Hum Ko Deewana Kar Gaye - Week 3

Mumbai - 7,83,495

Ahmedabad - 8,10,103

Rajkot - 55,085 (14 sh.)

Jamnagar - 1,69,680

Delhi - 1,58,262 (21 sh.)

Noida - 1,46,897

Kaushambi - 39,865

Gurgaon - 78,832 (14 sh.)

Ghaziabad - 1,47,991

Kanpur - 2,42,562 (6 dy.)

Lucknow - 2,40,582

Agra - 1,35,462

Allahabad - 48,761

Bareilly - 35,303

Moradabad - 45,000

Aligarh - 44,354

Mathura - 33,536

Modinagar - 32,870 (1st)

Pilkhuwa - 38,000 (1st)

Bulandshehar - 40,500 (2nd)

Amroha - 38,000 (1st)

Faridabad - 42,566 (7 sh.)

Akola - 56,383

Raipur - 45,010

Ujjain - 23,000

Sehore - 35,374

Bangalore - 2,24,188

(Average per print:71,541)

Shaadi Se Pehle - Week 4

Mumbai - Entered 5th week

Ahmedabad - 16,631

Kanpur - 20,781 (6 dy.)

Lucknow - 42,022 (3rd)

Allahabad - 34,875

(Average per print:22,861)

Malamaal Weekly - Week 8

Mumbai - 36,705

Ahmedabad - 1,24,411

Kaushambi - 22,721 (7 sh.)

Gurgaon - 48,576 (14 sh.)

Lucknow - 37,531

Agra - 24,000

(Average per print:29,394)

By IndiaFM News Bureau, May 6, 2006 - 02:29 IST

It was in Bandra at Media Minds studio where our Munnabhai Sanjay Dutt and his partner in crime, Arshad Warsi landed for their next quest. The duo under the guidance of composer Shantanu Moitra and director Rajkumar Hirani, were recording a song for Munnabhai 2nd Innings.

Sanju Baba was in a very relaxed mood, wearing a black jazzy t-shirt with matching track pants and sporting a short hair. Arshad Warsi too was dressed in black. The duo seem to get along equally well off-screen. Throughout the recording of the song, they kept the studio atmosphere lively with their jokes and talks. At the same time doing the job of singing. The track being recorded, as expected, seems to be a tapori number.

By Joginder Tuteja, April 28, 2006 - 14:09 IST

First quarter of 2006 has been simply phenomenal for Bollywood lovers! Number of music albums ranging from 'Rang De Basanti', 'Aksar', 'Gangster', 'Humko Deewana Kar Gaye', 'Tom Dick and Harry', '36 China Town', 'Fanaa' and many more have turned out to be super successful. Now add 'Krrish' to the list! Rajesh Roshan, who more or less selectively works for his brother's films now, composes for 'Krrish' and results are there to be seen....yet again! Nasir Faraaz writes three songs while Ibraheem Ashq and Vijay Akela chip in with a song apiece.

Shreya Ghoshal, who has fast become a favorite amongst the composers looking for a sweet-n-simple voice, sings as many as three out of five prime tracks in the album. Melodious to the core, the way Sonu Nigam begins singing 'Pyaar Ki Ek Kahani'; it seems tailor-made for Shahrukh Khan himself. This is undoubtedly one of the best rendered songs of Sonu after the brilliance he showed in the title song of 'Kal Ho Na Ho'. There are slight shades of 'Usse Hasna Bhi Hoga, Usse Rona Bhi Hoga' from the title song of Salman-Rani-Preity starrer 'Har Dil Jo Pyaar Karega' when the lines 'Wo Bhi Hansne Lahi Thi, Ye Bhi Hasne Laga Tha; Dono Samjhe Nahi They Wo Jo Jone laga Tha' come, but one doesn't really mind that as the song is still extremely enjoyable. Yes, it takes some time for this Ibraheem Ashq song to grow and it's only after you have heard it 5-10 times that you actually start humming it along while it is played. Along with Sonu, Shreya Ghoshal easily takes the same route as Alka Yagnik does in her romantic numbers and comes quite close to her in terms of class, quality and style. A number that should be in Top 3 charts soon!

It's time for melody to continue making its presence felt in Nasir Faraaz written 'Koi Tumsa Nahin', again a duet by Sonu Nigam and Shreya Ghoshal. For anyone who has been following Hindi music for last three decades, it won't require him/her to even look at the credits and still attribute the song to Rajesh Roshan. If the movie would have stuck to its original title of 'Koi..Tumsa Nahin' before moving to 'Krrish', this track would well have been the title song of the film. A trademark simple number with ear friendly musical arrangements set on a strong Indian base, it is a good fusion of 'geet' and 'ghazal' that makes it a second good song in succession. The beats are really catchy [belonging to true Rajesh Roshan style] and one can expect Hrithik to be showing his dancing prowess to a good extent. Proceedings get all jazzed up with the sound of piano, saxophone and other western classical instruments in its Big Band mix that completely changes the mood, feel and style of the track. Set as a jazz number, it is enjoyable in this new version as well!

Udit Narayan comes on the scene [for the first and the only time] in the album with 'Chori Chori Chupke Chupke' that fits well with the 'hill station' setting of the movie, as far as portions shot in India are concerned. A song based on 'pahadi' music that comes to you like a cool breeze, one just falls in love with the music by Rajesh Roshan. Starting with the sound of flute, it successfully takes you to the scenic locations once you close your eyes. Third song in a row that is completely based on 'hindustani' music with zero western influences to it, 'Chori Chori' is as simple as it gets, both in terms of music and lyrics. Udit Narayan is just the perfect choice for the song while Shreya Ghoshal is extremely competent and justifies her continued presence in the big league. Nasir Faraaz comes up with simple lyrics that make the track a beautiful song to sing around, but in the end it is Rajesh Roshan who is THE person who should be attributed for making it sound extremely enjoyable and lovely.

There is an extended orchestra [set in western mode] that escalates gradually after it has begun on a near silent note and it's after a while before Rafaqat Ali Khan arrives with 'Main Hoon Wo Aasmaan'. A Nasir Faraaz song that should be picturized on the superhuman character of 'KRRISH', as conveyed by the haunting feel of the tune that slowly converges into the world of mystic! A situational theme song that has Alka Yagnik giving company to Rafaqat, it moves at an extremely slow pace and is somewhat unconventional when it comes to a typical Bollywood score. The only song in the album that sounds dull when compared to the rest of the album that has a peppy touch to it with a feel good effect, the track also appears in 'A Mystic Love Mix'. The intention is right since the film has a mystic feel to it and the song begins with an extended 'aalap' with western musical arrangements in tow hence giving it a fusion feel to it. The dullness of the original song makes way for a perky remix that turns out to be a little better and more enjoyable.

The funk of 'It's Magic [Koi...Mil Gaya]' coming close to the musical arrangement of 'Le Gayi Le Gayi [Dil To Paagal Hai]' - that's the way to describe 'Dil Na Diya'. But unlike numerous other numbers where inspiration comes quite close to copying, 'Dil Na Diya' stays away from the temptation and maintains an identity of its own. A fast dance track that is tailor-made for Hrithik to come up with his varied [and unique] dance steps, it is a simple feel good number that may not boast of extraordinary lyrics by Vijay Akela but should still do well since one can easily expect some great choreography and picturization. The song does have slight musical shades of 'Jeene Ke Bahane Lakhon Hain' from Roshan's own 'Khoon Bhari Maang' but that is more due to composer's touch rather than a copy/lift. Overall the song remains firmly rooted to melody as Kunal Ganjawala comes up with yet another spirited rendition.

Melodious, soulful, simple and belonging to the genre that appeals across the nation, the music from KRRISH is another winner in the making! Highly melodious numbers like 'Chori Chori', 'Koi Tumsa Nahi' and 'Pyaar Ki Ek Kahani' are the pick of the lot, in that order, followed by dance number 'Dil Na Diya'. A musical score that can be conveniently added to your already-piling-up-collection in 2006, the music album of 'KRRISH' is another good outing for Bollywood music lovers.

By Taran Adarsh, May 4, 2006 - 06:19 IST

Another scoop… again on IndiaFM.

UTV is planning to dub the blockbuster hit RANG DE BASANTI in Tamil and Telugu languages. The production house is expecting to incur an expense of approx. Rs. 1.5 crores for it. Meanwhile, KRRISH will be released in Tamil and Telugu versions along with the Hindi version in June. The South territory is indeed getting hot!

By IndiaFM News Bureau, May 5, 2006 - 09:38 IST

Sohail Khan’s much-delayed Aryan – The Unbreakable is in controversy again. By now it’s known that singer Neha Bhasin (the singer from the VIVA band) wasn’t given her due credits for the song Ek Look Ek Look that is topping the music charts. When the music was released, producer Poonam Khubani’s name was credited as a lead singer while Neha’s name figured as a back-up singer for the song. But Neha claims that actually it was vice versa. Neha had filed a case against it and the High court has issued a stay order on the same song.

A leading newspaper also reported that a stay order has been imposed on the movie. However, executive producer, Sujit Shetty has a different story to say. Though it was reported that the Delhi high court has issued a stay order on movie Aryan – The Unbreakable, Sujit denied the reports. He said, “It has been misquoted by some newspaper. That is not true. The stay is not on movie but on the song that is in controversy. The issue is between Anand Raj Anand, music director of the movie and singer Neha Bhasin.”

He further explained that the movie will release on the same schedule that they have planned earlier. “We have nothing to do with the case. As per the court’s order we have removed that song from the film. The film will release in May”, clarifies Shetty.

By IndiaFM News Bureau, May 4, 2006 - 18:08 IST

The cat is out of the bag. Let’s reveal the suspense of 36 China Town. No, we are not revealing the identity of the killer. That we leave up to you to find out. But we can give you one more reason to watch the film. And the reason is Priyanka Chopra. Yea, the beautiful actress makes a special appearance in the film. In fact, Priyanka won rave reviews for portraying a negative character in Aitraaz that too was directed by Abbas-Mustan and produced by Subhash Ghai. More recently Priyanka made a one-scene appearance in Milan Luthria’s Taxi No 9211.

By Taran Adarsh, May 2, 2006 - 00:04 IST

Ramgopal Varma has never bowed to market diktats. The subject material of his films is offbeat most of the times. Even when it comes to casting, RGV has never chased stars. He has created them. He cast Fardeen Khan in JUNGLE after PREM AGGAN failed at the box-office. He cast a relatively new actor, Manoj Bajpai, in DAUD first and SATYA later. Stars like Aftab Shivdasani [MAST], Vivek Oberoi [COMPANY], Randeep Hooda [D] and Mohit Ahlawat [JAMES] are RGV’s discoveries.

Now RGV has cast Rakesh Nath’s [Rikku] son Karan in his new project, titled ZABARDAST. Starting as a child artist in MR. INDIA, Karan enacted lead roles in PAAGALPAN, YEH DIL AASHIQANA, SSSSHHH and TUM. With ZABARDAST, Karan reappears on the screen with renewed vigor. Directed by Prawal Raman, who directed DARNA MANA HAI, GAYAB and a segment in DARNA ZAROORI HAI, the film has already completed a 10-day shooting schedule.

Reportedly, the makers were keen to call the film BOXER initially. Is it based on the life of a boxer? “That was a working title. Its ZABARDAST now,” Prawal clarifies, “ZABARDAST has nothing to do with boxing. All I can divulge at this juncture is that it’s a love story woven with thrills and light moments.”

Co-starring in ZABARDAST are Nisha Kothari, Ninad Kamat, Ishrat Ali and Sharat Saxena. The film should hit the screens in September.

By Taran Adarsh, May 2, 2006 - 00:06 IST

Yeh hya ho raha hain? Two weeks ago, Madhur Bhandarkar registered the title CHANDNI BAR 2. Now Bhandarkar has registered the title PAGE 3 – PART 2. What’s happening? “My company decided to register this title [PAGE 3 – PART 2]. That doesn’t mean I am making the film,” the film-maker smiles.

But the rumor mills are agog with speculation that he is keen to cast Kareena Kapoor in the film. In fact, Kareena was initially offered PAGE 3, but the actress turned down the offer due to date hassles. “Let’s get this straight. I haven’t met Kareena or any actress for this project. Like I said, I’ve merely registered the title, I may/may not make the film. Similarly, I have registered three more titles [all from newspaper headlines], but that doesn’t mean I am making all those films,” he adds.

With CORPORATE slated for July release and SIGNAL being readied for Diwali 2006 release, Bhandarkar is working on his next venture. “Yes, I am working on something different this time,” he reveals.

indiafm.com

By Taran Adarsh, April 28, 2006 - 11:19 IST

Three years ago, Ramgopal Varma triggered off an experiment. He combined six different stories in one film called DARNA MANA HAI. Continuing with the 'Darna' series, he narrates six different stories once again in his new outing DARNA ZAROORI HAI. The difference this time is that the six stories are directed by six different directors, unlike the first attempt that had one director [Prawal Raman] calling the shots.

Tales about the unknown and the mysterious always hold an attraction for the audience. But for any horror film to scare the living daylights out of the viewer, it ought to be embellished with blood curdling and spine chilling stories. That's the prime area where DARNA ZAROORI HAI falters.

Of the six stories that are juxtaposed in the new 'Darna' exercise, only one comes across as an eerie experience [Randeep Hooda, Zakir Hussain; dir.: Chekeravarthy], while two pass muster [Anil Kapoor, Mallika Sherawat; dir.: Jijy Philip / Arjun Rampal, Bipasha Basu, Makrand Deshpande; dir.: Prawal Raman]. The remaining three stories and also the story that binds them in a thread, of an old woman and five children, try hard to terrify and frighten the viewer, but in vain.

Let's get this straight. 'Scary' is too strong a word for DARNA ZAROORI HAI. The film doesn't even succeed in sending a slight shiver down your spine. Coming from the maker of spell-binding horror stories like RAAT and BHOOT, DARNA ZAROORI HAI is as forgettable as a week-old newspaper.

Story 1

Actor: Manoj Pahwa. Director: Sajid Khan.
Pahwa is a film buff. He watches every new release in the night show on the first day itself. Just as he readies himself to visit a nearby theatre to catch the new release DARNA MANA HAI, his mother cautions him against taking the route via the graveyard. Pahwa dismisses his mother's plea since he doesn't believe in ghosts. On his way back, he dies of cardiac failure outside the graveyard.

An interesting story, it keeps your interest alive till Pahwa decides to take the same route on his way back. The sequences in the theatre are hilarious. But the culmination to the plot is hardly scary. Ideally, the story could've done with a fear-provoking end. Pahwa works, but the story doesn't. Sajid shows signs of a fine director.

Story 2

Actors: Amitabh Bachchan, Ritesh Deshmukh. Director: Ramgopal Varma.
An aged professor [Bachchan] believes there's someone in his house. At times, the 'invisible person' rushes to the kitchen. Sometimes, he makes himself comfortable on the chair. Is the professor hallucinating? The professor tries to explain the situation to his student [Ritesh], who revolts and in fact advices him to seek psychiatric help. The 'invisible man' finally appears in the mirror.

Technically, this isn't a scary story; it has more of shock-value. Also, it doesn't create much of an impact. It tries to build the tension, but to no avail. The only time you get a jolt is when the 'invisible man' appears in the mirror. Bachchan and Ritesh are sincere, but RGV's choice of the story is a downer.

Story 3

Actors: Arjun Rampal, Bipasha Basu, Makrand Deshpande. Director: Prawal Raman.
One fateful night, a stranger [Arjun] knocks on the doors of a secluded bungalow. His car has had a breakdown, he needs a mechanic, he ought to make a phone call. The couple [Bipasha, Makrand] living in this house is eccentric. Both constantly try to scare Arjun. When Arjun states that he doesn't believe in ghosts and spirits, Makrand decides to call the spirits. There's a knock on the door and the spirit refuses to go back.

The story has its moments. In fact, there are times when the viewer gets startled. Even the culmination to the story is unexpected. But the problem is that it takes too much time to reach the peak. Arjun is quite effective, while Bipasha and Makrand are satisfactory. Prawal's storytelling is better this time.

Story 4

Actors: Suniel Shetty, Sonali Kulkarni, Rajpal Yadav. Director: Vivek Shah.
A Maharashtrian couple [Suniel, Sonali] have an unexpected visitor in the form of a weird salesman [Rajpal Yadav]. He claims to be an insurance agent, but in actuality he's a thief who wants to rob the couple. In the melee that follows, Rajpal pulls the trigger of the pistol and bang!

Hello, how did this story merit a place in a horror film? Nothing wrong with the story per se, but the writer should be reminded that this is a horror film. In actuality, this one only carries a simple message: Never let a stranger in. Even Suniel and Rajpal's decent work fail to infuse life.

Story 5

Actors: Anil Kapoor, Mallika Sherawat. Director: Jijy Philip.
A leading film-maker [Anil] wants to change lanes. After making a couple of family dramas, he is keen to make a horror film next. He decides to write the concluding portions of his script at his bungalow in Khandala. En route, he spots a lone lady [Mallika] and offers to give her a lift till Khandala. When they reach the film-maker's bungalow, the lady tells him that she's a ghost who had died on the Mumbai-Pune highway.

The conversation between Anil and Mallika in the car first and sequences in the bungalow next are involving. The story holds your attention till Mallika reveals her gameplan, of wanting to kill Anil. But the moment she reveals the truth -- she's only an aspiring actress, trying to impress the film-maker to bag the assignment -- the viewer is left with the feeling that the director has taken him [viewer] for a ride. Anil is passable, while Mallika is efficient. Jijy is letdown by the writing!

Story 6

Actors: Randeep Hooda, Zakir Hussain, Rasika Joshi. Director: Chekeravarthy.
On a rainy night, a young man [Randeep] accidentally bumps into a woman. He is petrified. The next morning, when he opens his eyes, he finds himself in the police lock-up. He is accused of murdering a man. He claims he's innocent. The cop [Zakir] refuses to buy the story. The mother of the victim [Rasika] arrives at the police station. And skeletons tumble out of the cupboard.
Truly, the best story of the enterprise. The entire track keeps you on the edge. The lengthy conversation between Randeep and Rasika first and Zakir and Rasika subsequently is brilliant. Chekeravarthy is in full form. Randeep, Zakir and Rasika excel.

Story 7

The old lady and five children. Director: Manish Gupta.
Five kids take shelter in a dilapidated bungalow. There's an old woman in the house. She starts narrating stories. Slowly, the kids die of shock one after the other. Without doubt, the worst part of the enterprise. Unimaginative writing, lackluster direction.

On the whole, DARNA ZAROORI HAI lacks the power to scare, frighten, terrify and petrify. In fact, it's as ineffectual as its predecessor DARNA MANA HAI. At the box-office, a major disappointment!

By Taran Adarsh, April 28, 2006 - 11:19 IST

Three years ago, Ramgopal Varma triggered off an experiment. He combined six different stories in one film called DARNA MANA HAI. Continuing with the 'Darna' series, he narrates six different stories once again in his new outing DARNA ZAROORI HAI. The difference this time is that the six stories are directed by six different directors, unlike the first attempt that had one director [Prawal Raman] calling the shots.

Tales about the unknown and the mysterious always hold an attraction for the audience. But for any horror film to scare the living daylights out of the viewer, it ought to be embellished with blood curdling and spine chilling stories. That's the prime area where DARNA ZAROORI HAI falters.

Of the six stories that are juxtaposed in the new 'Darna' exercise, only one comes across as an eerie experience [Randeep Hooda, Zakir Hussain; dir.: Chekeravarthy], while two pass muster [Anil Kapoor, Mallika Sherawat; dir.: Jijy Philip / Arjun Rampal, Bipasha Basu, Makrand Deshpande; dir.: Prawal Raman]. The remaining three stories and also the story that binds them in a thread, of an old woman and five children, try hard to terrify and frighten the viewer, but in vain.

Let's get this straight. 'Scary' is too strong a word for DARNA ZAROORI HAI. The film doesn't even succeed in sending a slight shiver down your spine. Coming from the maker of spell-binding horror stories like RAAT and BHOOT, DARNA ZAROORI HAI is as forgettable as a week-old newspaper.

Story 1

Actor: Manoj Pahwa. Director: Sajid Khan.
Pahwa is a film buff. He watches every new release in the night show on the first day itself. Just as he readies himself to visit a nearby theatre to catch the new release DARNA MANA HAI, his mother cautions him against taking the route via the graveyard. Pahwa dismisses his mother's plea since he doesn't believe in ghosts. On his way back, he dies of cardiac failure outside the graveyard.

An interesting story, it keeps your interest alive till Pahwa decides to take the same route on his way back. The sequences in the theatre are hilarious. But the culmination to the plot is hardly scary. Ideally, the story could've done with a fear-provoking end. Pahwa works, but the story doesn't. Sajid shows signs of a fine director.

Story 2

Actors: Amitabh Bachchan, Ritesh Deshmukh. Director: Ramgopal Varma.
An aged professor [Bachchan] believes there's someone in his house. At times, the 'invisible person' rushes to the kitchen. Sometimes, he makes himself comfortable on the chair. Is the professor hallucinating? The professor tries to explain the situation to his student [Ritesh], who revolts and in fact advices him to seek psychiatric help. The 'invisible man' finally appears in the mirror.

Technically, this isn't a scary story; it has more of shock-value. Also, it doesn't create much of an impact. It tries to build the tension, but to no avail. The only time you get a jolt is when the 'invisible man' appears in the mirror. Bachchan and Ritesh are sincere, but RGV's choice of the story is a downer.

Story 3

Actors: Arjun Rampal, Bipasha Basu, Makrand Deshpande. Director: Prawal Raman.
One fateful night, a stranger [Arjun] knocks on the doors of a secluded bungalow. His car has had a breakdown, he needs a mechanic, he ought to make a phone call. The couple [Bipasha, Makrand] living in this house is eccentric. Both constantly try to scare Arjun. When Arjun states that he doesn't believe in ghosts and spirits, Makrand decides to call the spirits. There's a knock on the door and the spirit refuses to go back.

The story has its moments. In fact, there are times when the viewer gets startled. Even the culmination to the story is unexpected. But the problem is that it takes too much time to reach the peak. Arjun is quite effective, while Bipasha and Makrand are satisfactory. Prawal's storytelling is better this time.

Story 4

Actors: Suniel Shetty, Sonali Kulkarni, Rajpal Yadav. Director: Vivek Shah.
A Maharashtrian couple [Suniel, Sonali] have an unexpected visitor in the form of a weird salesman [Rajpal Yadav]. He claims to be an insurance agent, but in actuality he's a thief who wants to rob the couple. In the melee that follows, Rajpal pulls the trigger of the pistol and bang!

Hello, how did this story merit a place in a horror film? Nothing wrong with the story per se, but the writer should be reminded that this is a horror film. In actuality, this one only carries a simple message: Never let a stranger in. Even Suniel and Rajpal's decent work fail to infuse life.

Story 5

Actors: Anil Kapoor, Mallika Sherawat. Director: Jijy Philip.
A leading film-maker [Anil] wants to change lanes. After making a couple of family dramas, he is keen to make a horror film next. He decides to write the concluding portions of his script at his bungalow in Khandala. En route, he spots a lone lady [Mallika] and offers to give her a lift till Khandala. When they reach the film-maker's bungalow, the lady tells him that she's a ghost who had died on the Mumbai-Pune highway.

The conversation between Anil and Mallika in the car first and sequences in the bungalow next are involving. The story holds your attention till Mallika reveals her gameplan, of wanting to kill Anil. But the moment she reveals the truth -- she's only an aspiring actress, trying to impress the film-maker to bag the assignment -- the viewer is left with the feeling that the director has taken him [viewer] for a ride. Anil is passable, while Mallika is efficient. Jijy is letdown by the writing!

Story 6

Actors: Randeep Hooda, Zakir Hussain, Rasika Joshi. Director: Chekeravarthy.
On a rainy night, a young man [Randeep] accidentally bumps into a woman. He is petrified. The next morning, when he opens his eyes, he finds himself in the police lock-up. He is accused of murdering a man. He claims he's innocent. The cop [Zakir] refuses to buy the story. The mother of the victim [Rasika] arrives at the police station. And skeletons tumble out of the cupboard.

Truly, the best story of the enterprise. The entire track keeps you on the edge. The lengthy conversation between Randeep and Rasika first and Zakir and Rasika subsequently is brilliant. Chekeravarthy is in full form. Randeep, Zakir and Rasika excel.

Story 7

The old lady and five children. Director: Manish Gupta.
Five kids take shelter in a dilapidated bungalow. There's an old woman in the house. She starts narrating stories. Slowly, the kids die of shock one after the other. Without doubt, the worst part of the enterprise. Unimaginative writing, lackluster direction.

On the whole, DARNA ZAROORI HAI lacks the power to scare, frighten, terrify and petrify. In fact, it's as ineffectual as its predecessor DARNA MANA HAI. At the box-office, a major disappointment!

Reference :- indiafm.com

By IndiaFM News Bureau, May 2, 2006 - 03:20 IST

The past few days have been like a dream come true for director Kunal Kohli. For, he got to direct his favorite star, Amitabh Bachchan! Unfortunately, it was not a full length film, but a commercial for the suiting brand Reid and Taylor, which Big B endorses. Nonetheless, Kunal was quite excited about the project. Like many others, he too has grown up watching Mr. Bachchan.

Talking about his experience, he said that Amitabh Bachchan is the most down-to-earth person. They even discussed films on the sets. Kohli hopes to direct the superstar one day, in a full length movie, when he has a suitable script.

Prior to this commercial, Kohli has directed two other ads. One was with Saif Ali Khan and the other was with Ajay and Kajol Devgan. However, he does not want to go overboard, directing ads. Although, it is quick money, he wants to direct them only when the ad’s sensibilities match with his.

By IndiaFM News Bureau, May 2, 2006 - 03:16 IST

In a very unlikely combination, Ekta Kapoor and Sanjay Gupta will be coming together to produce films. The films will be under the banner of White Feather Films, in association with Balaji.

The two had a meeting last month after which, the deal came through. Not only does Ekta like Gupta’s style of film-making, but also thinks that she gets along with him, very well. They believe that with this association, both of them can bring in their strong points and nullify the weaknesses. While Sanjay will be involved with the creative aspects, Ekta will take care of the marketing aspects. Sanjay Dutt, who is the chairman of White Feather Films, is also happy about this joint venture. He feels that it will definitely benefit the growth of both the companies. White Feather Films has already decided on 10 subjects, which will be launched in the near future. The first of the lot is the Apoorva Lakhia directed Shootout At Lokhandwala, starring Arjun Rampal, Tusshar Kapoor, Viveik Oberoi and others.

While Ekta is famous for her saas-bahu sagas, Sanjay Gupta is known for films that explore the dark side of humanity. With these two opposites coming together, lets see what’s in store for the audience!

By IndiaFM News Bureau, May 2, 2006 - 03:21 IST

While a number of film directors shoot ad films from time to time, director Apoorva Lakhia recently shot a music video for pop singer Tarina in Mauritius. It stars singer-cum-model Ajay. There is even a Hindi version of the song by Gayatri Ganjawala and Arya.

The entire shoot lasted 2 days. The video which showcases the beautiful beaches of Mauritius has a mood somewhat similar to Right Here Right Now from Bluffmaster.

Apart from this video what’s keeping Apoorva busy these days is his forthcoming film Shootout At Lokhandwala, starring Sanjay Dutt, Arjun Rampal, Tusshar Kapoor, Viveik Oberoi, Emraan Hashmi and others. Since, it is based on a real life incident, extensive research was required for the subject. The shooting will begin in August. Incidentally, this film will be the first which will be jointly produced by White Feather Films and Balaji.

By IndiaFM News Bureau, May 2, 2006 - 03:18 IST

Mobile Telephony and Music industry together took a significant step for providing full entertainment to customers with convenience. Hutch today introduced an innovative service 'Full Song Download'. Taking the first step, Hutch along with Hungama Mobile, Filmkraft and T-Series announced the music premier of the forthcoming blockbuster 'Krissh' through this service.

Full Song Download is a natural next step of Hutch to provide its customers with a service which allows downloads of full songs across many categories like Bollywood, International, Indipop & Regional hits amongst others on their Hutch phones through PlanetHutch. Starting May 15, 2006 this service will be available to Hutch postpaid and prepaid customers across all circles (except Maharashtra & Goa, Tamil Nadu and Kerala).

The 'Full Song Download' service at present is compatible with 9 popular Nokia handsets (including the Nokia 6600), which are being used by more than five lakh Hutch customers. This service is available at a charge starting as low as Rs. 20 per song.

To download full songs, Hutch customers will first have to download the music player available free of cost from PlanetHutch. This will allow customers to download and enjoy their favorite songs on their Hutch phones and personalize it by creating various playlists.

Naveen Chopra, Chief Marketing Officer, Hutchison Essar said, "Hutch customers can now purchase their favorite songs at their convenience anywhere and anytime on their Hutch phones. This innovation allows our customers to download full songs of outstanding sound quality at a faster download speed. Taking the first step, we are delighted to premier the music of 'Krissh' on Full Song Download service in association with Hungama Mobile and Filmkraft.' added Naveen.

Neeraj Roy, Managing Director and Chief Executive Officer, Hungama Mobile, said "Hungama Mobile has always believed in introducing new innovations in mobile entertainment to capture the imagination of the Indian youth. The launch of full length music on the mobile today is a step in that direction."

Rakesh Roshan, Managing Director, Filmkraft said, "I congratulate Hutch and Hungama Mobile on this first step into a whole new realm of mobile technology. I'm glad my film, Krissh, which in many ways is a first of a kind, is the first collaboration with this new service."

Bhushan Kumar, Managing Director, Super Cassettes Industries Ltd (T Series), said, "T Series has been at the forefront of capturing the digital music opportunity in India. As the largest publisher of Indian music in the world, we could not have found a better partner in Hungama Mobile and a more appropriate film than Krrish to launch the first full length music download service in India with Hutch."